格薩爾論(英文版)(精)/中國(guó)少數(shù)民族史詩(shī)研究著作翻譯文庫(kù)
定 價(jià):212.5 元
- 作者:降邊嘉措 著
- 出版時(shí)間:2019/6/1
- ISBN:9787565228629
- 出 版 社:遼寧師范大學(xué)出版社
- 中圖法分類:I2
- 頁(yè)碼:
- 紙張:
- 版次:1
- 開本:16K
《〈格薩爾〉論》是對(duì)□□史詩(shī)《格薩爾》內(nèi)容、文學(xué)框架、社會(huì)價(jià)值、史詩(shī)價(jià)值以及思想價(jià)值的系統(tǒng)論述。全書共分17章,從《格薩爾》史詩(shī)的流變、文化背景等角度詳細(xì)介紹格薩爾史詩(shī)誕生之初所賴以生存的文化土壤,多角度論證了《格薩爾》史詩(shī)留給后人的豐富社會(huì)學(xué)價(jià)值,就史詩(shī)的傳播人的貢獻(xiàn)以及格薩爾文化的傳播遠(yuǎn)景進(jìn)行了說明,肯定了在社會(huì)地位低下、受人歧視的狀態(tài)下,各位說唱藝人對(duì)于格薩爾史詩(shī)傳播的重要貢獻(xiàn)。
Preface by Lang Ying
Preface by Mark Bender
Translator’S Foreword
Profile of the Author
Introduction
Chapter One The Historical and Cultural Context of the Epic of Gesar
Ⅰ.NatureWorship
Ⅱ.Bon Culture
Ⅲ.Buddhist Culture
Chapter Two The Morphology ofTibetan Culture
Ⅰ.The Origin of Tibetan Culture
Ⅱ Chinese Culture andTibetan Culture
Ⅲ.The Influence of Oriental and Occidental Culture□<□r>
Chapter Three A Gallery ofthe Tibetan Spirit
Ⅰ.The Echoes ofHistory
Ⅱ.An Unlettered Monument
Ⅲ.A Record ofEthnic Memo
ChapterFour TotemisminAncientTibet
Ⅰ.The Worship ofMountain God□<□r>Ⅱ. TheWorship ofWarGod□<□r>Ⅲ.Totemism
Chapter Five The Cultural Matrix of Tibet
Ⅰ.The Concept ofSouls Being Eternal
Ⅱ.The Concept ofSoul Ejection
Ⅲ.Emanation andthe Soul
Chapter Six Dreams,Divination,and Magic in the Epic of Gesar
Ⅰ.Dream□<□r>Ⅱ.Divination
Ⅲ.Magic
Chapter Seven Society and Utopia in Early Tibet
Ⅰ.The Pursuit ofTruth.Virtue and Beauty
Ⅱ.Awareness of Individual Values and Self:Amrnlation
Ⅲ.Kingdom of Ling:The Tibetan Conception of Utopia
ChapterEight TribesinTibetanSociety
Ⅰ.The Structure ofaTribal Society
Ⅱ.Tribal Federations and Battle□<□r>Ⅲ.Tribal Society andTribal Identity
Chapter Nine Conflicts Between Buddhism and Bi;n in the Spread ofGesar
Ⅰ.The Culture Clash Between Buddhism and B6n
Ⅱ.Consequences ofConflict□<□r>Ⅲ.The Impact of the Religious Conflicts on the Epic of Gesar
Chapter Ten Narrative Structure in the Epic ofGesar
Ⅰ.The Structure ofEpic□<□r>Ⅱ.Character.Oriented Mode of Narration
Ⅲ.Episodic Structure
Ⅳ.Modes ofTransition Between Episode□<□r>
Chapter Eleven A Repository for the Art of Language
Ⅰ.ASimplicityRichinWisdom
Ⅱ.An Excellent Combination of Richness and Accuracy
Ⅲ.Brilliant Images and Appropriate Metaphor□<□r>Ⅳ.Poetry Within Poetry:The Ingenious Use of Proverb□<□r>Ⅴ.The Individual Language ofthe Character□<□r>
Chapter Twelve Artistic Imagery in the Epic of Gesar
Ⅰ.Gesar
Ⅱ.Rongtsa Tragen:The Doyen ofSteward□<□r>Ⅲ.SengchamDrukmo
Chapter Thirteen Gesar:God of the Tibetan People
Ⅰ.Ethnic God□<□r>Ⅱ.A God Forged by Tibetan Culture
Ⅲ.Carrying the Hope ofan Ethnic GrouD
Chapter F。nrteen The Bards of the People:The StorytelIers of Gesar
Ⅰ.Distribution and Types ofBard□<□r>Ⅱ.TheMystery ofMemory
Ⅲ.The Concept ofSouls andAnistic Creation
Ⅳ.Yhe Significance of Identifying the Types of Bards and Storytelling
Chapter Fifteen Textual Studies of the Epic of Gesar
Ⅰ.The Earliest Records:Gesar,Whose Ethnicity was Ummown
Ⅱ.A Mortal Transmuted into a God:The Inc啪ation of Avalokitesvara
Ⅲ.Mnarch。fthe Kingd。m。fLing:The Appearance of Gesar Ling
Ⅳ.The Patron Buddha of Buddhism:A Transfomled Gesar
Ⅴ.Gesar in the Eyes ofModem Tibetan Scholar□<□r>
Chapter Sixteen Textual Studies on the Name“Gesar”
Ⅰ.The Meaning ofthe Name“Gesar”
Ⅱ.The Prototype ofGesar in Tibetan Literary History
Chapter Seventeen The Evolution and Transmission of the Epic of Gesar
Ⅰ The Transmission ofthe Epic Gesar
Ⅱ. TheVicissitudes ofGesar’S Evolution
Ⅲ TheAcademic Study ofthe Epic Gesar
Ⅳ.ThePublication ofthe印ic ofGesar
Bibliography
Index
Afterword
Afterword
Series Acknowledgements